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Today in Hip Hop: October 29

One date, five heavy entries. October 29 gave hip hop a West Coast classic, a Wu-Tang solo debut, a Chicago first lady, a Cleveland harmony landmark and a Detroit pop rap giant.

Today in Hip Hop: October 29
1991

Ice Cube Drops Death Certificate

Ice Cube released his second solo album Death Certificate on October 29, 1991 through Priority Records, produced with Sir Jinx and the Boogie Men. It debuted at number two on the Billboard 200, topped the Top R and B and Hip Hop Albums chart, sold about 105,000 copies in its first week and was certified platinum that December. The singles were Steady Mobbin and True to the Game.

Ice Cube
Photo: Adam Bielawski via Wikimedia Commons (CC BY-SA 3.0)

Cube split the album into two halves, the Death side as a mirror of where things stood and the Life side as a vision of where they needed to go. Recorded in the wake of the Rodney King beating, it took on policing, the military, gang life and work, and it drew both acclaim and organised protest at the same time. Thirty five years on, it still sounds like a state of emergency delivered on funk samples.

My take: My take: this is Cube at his sharpest, an album with a thesis, not just singles. Few records have ever argued with America this directly and still moved units.
1996

Ghostface Killah Goes Solo With Ironman

Ghostface Killah released his solo debut Ironman on October 29, 1996 on Razor Sharp and Epic. It topped the Top R and B and Hip Hop Albums chart and put the most emotional voice in Wu-Tang at the front of his own record, with soul samples carrying stories instead of just choruses.

Ghostface Killah
Photo: Niklas Hellerstedt, Goteborg and Co via Wikimedia Commons (CC BY 2.0)

Daytona 500 showed the speed and the breath control, while All That I Got Is You, built around Mary J. Blige, showed the heart. Debut lists still rank Ironman among the strongest first solo statements of the nineties, and it set the template every Wu solo run after it had to answer to.

My take: My take: Ghost proved a solo album could be a film. The slang, the soul loops and the tears all in one place, that formula still gets copied.
1996

Da Brat Delivers Anuthatantrum

The same day Ironman landed, Da Brat released her second album Anuthatantrum. It reached number 20 on the Billboard 200 and number five on the Top R and B and Hip Hop Albums chart, powered by the singles Sittin on Top of the World and Ghetto Love.

Da Brat
Photo: Sister Circle TV via Wikimedia Commons (CC BY 3.0)

Brat had already made history as a chart topping solo female rapper, and the second album mattered because it refused to soften anything. The flow stayed fast, the Chicago confidence stayed loud, and the record treated her pen as the headline, which was still a fight women in rap had to win album by album in 1996.

My take: My take: Brat never gets enough credit for how technical she was. Put her verses from this era beside anybody and she holds her ground.
2002

Bone Thugs Close the Ruthless Era

Bone Thugs-n-Harmony released their fifth album Thug World Order on October 29, 2002. It peaked at number 12 on the Billboard 200 and number three on the Top R and B and Hip Hop Albums chart, and it closed their run with Ruthless Records, the label that had launched them.

Bone Thugs-n-Harmony
Photo: Kmilo via Wikimedia Commons (CC BY 2.0)

By then the Cleveland group had already changed how rap could sound, harmonising at double time speed years before melodic rap became the default setting of the genre. Thug World Order is a late chapter, but it documents a group whose influence was already baked into the next generation.

My take: My take: every melodic rapper working today owes Bone a royalty of respect. The harmony and the speed came from Cleveland first.
2013

Eminem and Rihanna Unleash The Monster

Eminem released The Monster, featuring Rihanna, on October 29, 2013 as the fourth single from The Marshall Mathers LP 2. It was the pair fourth collaboration, after the Love the Way You Lie songs and Numb, and it took on fame from his side and inner demons from hers.

Eminem
Photo: DOD News Features via Wikimedia Commons (CC BY 2.0)

The record topped the charts in twelve countries, including the Billboard Hot 100 in the United States, and it gave Eminem his first number one on the Hot R and B and Hip Hop Songs chart. It also debuted at number one on Digital Songs with more than 373,000 downloads in its first week, proof the sequel energy around that pairing was very real.

My take: My take: Em understood that Rihanna was not a feature, she was the other half of the argument. That is why their records kept winning.

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